Praise.
“My Little Town is the tour de force of a writer whose unflinching honesty reveals the hidden layers and painful divisions within the American soul. In Tipmore's hands, Lovelady, Alabama, becomes a canvas to explore our common search for meaning and yearning for home. The book is profound, witty, and haunting.”
— Lars Brownworth, historian and author, Julius Caesar: The Roman Colossus
“You can add My Little Town to that important list of books about the South that includes W.J. Cash’s classic The Mind of the South. But where Cash portrays the region in broad generalities, D.B. Tipmore gets to the intimate heart of things by focusing his keen eye on a town and way of life that signify so much of today’s small town and rural South, where old struggles with new — and old often wins. He’s a talented storyteller with an honest, unflinching eye.”
— Robert Inman, author of Home Fires Burning and other books
“D.B. Tipmore is not a damned Yankee; he is a writer’s writer. My Little Town is a wildly fresh perspective on the South.”
— Sean Dietrich, host of the Sean of the South podcast and author of Stars of Alabama and Will the Circle Be Unbroken?
“When an erudite Yankee set up housekeeping in central Alabama, it provided him an opportunity to observe the best and worst about its citizens. There is an ancient prayer asking that God will allow us to see ourselves as others see us. I am not sure many folks in the Black Belt had D. B. Tipmore or his book in mind when they prayed that prayer, but My Little Town is its controversial answer.”
— Wayne Flynt, Distinguished Professor Emeritus, Auburn University History Department
“My Little Town is a remarkable book, profound and wise in its observations about life in the rural Deep South and elegantly written.”
— Larry Watson, author of Let Him Go and other works of fiction
“D.B. Tipmore’s portrait of the town he calls Lovelady, Alabama, reflects on a decade in residence — a decade in which he nursed and buried his mother, participated in the requisite social and religious institutions, and became fully enmeshed in its alluring web of gossip, kindnesses, home tours, and Harmonie Club dinners. And yet he retains the detachment of the career journalist he is, a critical distance that allows incisive analysis of the persistence of mores and institutions all but obsolete in other places. From this vantage point, he examines the legacies of segregation turned “inter-cultural avoidance” that scuttle any hope of improving the collective lives of the town’s residents. Peppered with moments of humor and humanity, this book excavates some of our culture’s deepest ironies.”
— Lyn C. Macgregor, University of Wisconsin-Madison, author of Habits of the Heartland: Small-Town Life in Modern America
"In My Little Town, Tipmore combines the scientific precision of the anthropologist with the compassionate insight of the humanist in this rueful portrait of a small Alabama town, enabling the reader to feel they, too, have spent real time there. He is the rare observer open to being changed by what he sees, with a point of view touched by home-sickness while also graced with detachment, and communicated in pellucid and elegant prose. A wonderful guide and memoir."
— Rev. Dr. Andrew Walker, author, Journey into Joy: Stations of the Resurrection
“D.B.Tipmore’s My Little Town reminds me how those of us who grew up in small Southern communities continue to be shaped by their unique alchemy of race, place, religion, and custom. But as these rural towns begins to fade, they must be reimagined, or else risk losing the ability to make newcomers feel like they belong. This small book offers a powerful statement about the importance of place, even as it urges reconsideration of the things that any one particular place holds most dear.”
— Ralph Eubanks, author of A Place Like Mississippi
"D. B. Tipmore, a writer of urbane wit, moved to a small town in rural Alabama in the hope of making a home. This brilliant book, coming ten years later, is the result of his experiences there. Composed of fifteen revelatory, sad, funny, and incisive chapters, My Little Town introduces the reader to special insights Tipmore has gained about the town, the region, and himself. What results is the perfect book, compassionately observed, for those who want to head to the South — or away from it."
— Michael Tolkin, multi-award-winning filmmaker and author, NK3 and The Player
“D. B. Tipmore’s My Little Town captures the paradoxes of small-town Southern life. From their variants of chicken salad, to the inerrant study of the Protestant Bible, to the equal degrees of charm, rivalry, racial animosity, and willingness to help out at a moment’s notice, the citizens of Tipmore’s “Lovelady" show us uncomfortable truths about how we live in such towns, and why some of us leave. A bittersweet portrait.”
— Terry Barr, author of Secrets I’m Dying to Tell You, Don’t Date Baptists and Other Warnings from My Alabama Mother, and other books
“This compact rumination by an insider who feels like a perpetual outsider provides an insightful look at small-town life in the American South. At once intellectual and personal, this memoir intricately examines the relationship between subject and self, and give the reader a window into life in a place that stubbornly holds onto its old thinking and ways.”
— Leah Franqui, author of Mother Land and America for Beginners
"D. B. Tipmore distills the essence of contemporary Southern culture into sharp, succinct vignettes in a poignant homage to a way of life that is slowly disappearing.”
— Booklist
“My Little Town is an outsider’s memoir whose observations are fair and measured, infused with both empathy and poetry. An outsider’s memoir whose observations are fair and measured, the book is infused with both empathy and poetry.”
—Wendy Hinman, Forward Reviews
“Tipmore has a clear, trustworthy style. This is a sincere narrative, not in the least ironic or snarky. .. He decided to conduct an anthropological experiment and live in the real-est South with goodwill, optimism, an open heart, not as someone there to find fault or satirize or fix things, but to see if he could fit in and, in time, understand the place, and as one always hopes, understand himself better. “